Diamonds
are a girl’s best friend
VS
Material
Girl
In 1953 Marilyn Monroe starred in a song named “Diamonds are a
girl’s best friend”, similar to a music video however it appeared in the film
“Gentlemen prefer blondes”. The music video depicted Monroe in a glamorous
scenario, surrounded by men lusting over her as she denies them in favour of
her love of diamonds, claiming that they are a girl’s best friend. Later in
1985 Madonna released a music video named “Material Girl” which displayed a
notable deconstruction of Monroe’s “Diamonds are a girl’s best friend” with
several similarities in choreography, cinematography and mise en scene.
The first notable similarity between Monroe and Madonna’s
respective music videos are their outfits. The mise en scene between these two
music videos is remarkably similar,
Madonna and Monroe both wear a long pink dress with matching gloves that
reach up to below their shoulders with a big bow wrapped up at the back. The
similarities between their outfits are
made further blatant with their jewellery, the both of them wearing diamond
bracelets, diamond necklaces and to top it off; diamond earrings. The general
premise of both of the songs is also quite similar, which is probably what
sparked the idea for the deconstruction of Monroe’s song. Madonna’s Material
Girl revolves around her and her love for jewellery, as a “material girl”
refers to a girl who has a great love for objects and clothing rather than
another person. This idea is evident within Monroe’s song, which can be clearly
taken from the title of “diamonds are a girl’s best friend”, which has heavy
connotations towards a materialistic mind-set.
Beyond the names of the songs and the appearances of the two
artists in both of the songs there are even more similarities that can be drawn
from the supporting dancers in both of the music videos and the mise en scene
used in the scenes of both songs. In both of the music videos both Madonna and
Monroe are surrounded by men in identical black suits who are all pining for
them, only to be comically overshadowed by Madonna or Monroe’s love for
materialism. The men in both music videos are seen surrounding Monroe and Madonna
in their respective songs and providing supporting choreography for them. The
men in both of the music videos are dressed identically in dark colours, in
contrast to Monroe and Madonna who wear bright pink dresses and are the only
ones wearing these outfits in order to emphasise their importance within the
music videos.
In addition, the setting of the music videos is remarkably
similar, both of them having very minimalistic designs and similar colours. The
set of Monroe’s song is set on a completely red stage in order to emphasise her
backup dancers and her bright pink dress and white jewellery in contrast to the
harsh red. The colour red is also commonly associated with romance and love,
which is an evident theme within both music videos, as the men in both music
videos are seen lusting for Monroe and Madonna’s romantic attention but are
denied. The setting is the same in “Material Girl”; a very minimalistic set
sporting a harsh red background reflecting the colour of romance and love in
order to emphasise the colours of the people performing within the music video.
This setting was probably taken by Madonna and inspired by Monroe due to its
relevant symbolism revolving around romance and materialism In both of the
music videos.
The most notable similarity between the two music videos in
regards to the choreography of the backup dancers is a scene in Monroe’s video
in which several men form a circle around her and all revolve around her and
make her the centre of attention. This scene is completely recreated in
Madonna’s “Material Girl”, with Madonna being surrounded by her male backup
dancers as they revolve around her.
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